May 03, 2016 07:01 PM

While the majority of Hollywood’s elite dazzled and glowed (literally!) on the Met Gala red carpet, Erin Andrews and the rest of the Dancing With the Stars team had a show to put on! And according to the host, things got sleek, chic and a little sexy on Tuesday evening’s episode. Get all of the details on the host’s look, including her curve-skimming gown, dramatic hair and makeup and more!

Adam Taylor/ABC

For the taping, Andrews and her stylist Alyssa Greene selected a slinky, long-sleeve red Elie Saab gown, which she teamed with gold-accented accessories, including Manolo Blahnik heels and Royal and Sylvie Collection jewels.

“The past few episodes we went really girly and over the top, so for this look, we wanted to go back to sleek, sexy and fierce,” Greene told PeopleStyle. “It looks super simple from the front, but when she turns around, you see the asymmetric back detail with gold buttons. We added a bit of gold bling and a super simple Manolo sandal to complete the look.”

And while Andrews calls the sexy siren gown a “little dangerous,” she says the sleek design made her feel like a supermodel. “The slit was high and a little dangerous, the host confessed. “I had to watch it walking up those ballroom stairs. Again channeling the Met Ball, I was thinking, ‘What would Rosie [Huntington-Whiteley] do?’ She was rocking a slit beautifully [last night], too!”

Courtesy Erin Andrews

As for the host’s makeup, makeup artist Lisa Ashley was all about creating a “dramatic yet simple” look for the evening, opting for a bold eye and statement lip moment. To get Andrews’ smoky eye, the makeup pro began by accenting the star’s eyes with matte cranberry and apricot eye shadow shades (by Viseart) to match the rich shade of her dress and blended them into a smoky state. (As Ashley points out, “smoky doesn’t necessarily have to be blacks and grays — it’s the technique and blending rather than the colors used.”)

After contouring with the Laura Mercier Flawless Contour Palette, Ashley selected a matching cranberry hue for the star’s lips, which is actually the byproduct of many different shades. “Creating the perfect lip is never simple, she confessed. “I can sometimes use up to five different products.” But for this look, the makeup pro mixed together L.A. Girl Semi-Permanent Auto Lip Liner in Dark Plum with KIKO Precision Lip Liner #305 and added sheen with Girlactik Pout Shine in Stunning.

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Courtesy Erin Andrews

As for Andrews’ hair, she and her stylist Ryan Randall were up for trying something new. “I’ve always wanted to try slicking my hair back for the show,” she told PeopleStyle. “[Last night] we thought this was the right dress to do it with.”

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“Week after week, Erin has trusted us to deliver looks out of her comfort zone, and tonight’s look is no exception,” Randall told PeopleStyle. “We took an editorial approach with this wet, sleek and chic style. Red carpet worthy most definitely, with a nod to the Met Ball happening tonight in N.Y.C.”

The hair pro prepped Andrews’ wet hair with Bumble and bumble Hairdresser’s Invisible Oil Primer and blew it out, straight and off the face. To get the slick style, Randall re-wet the roots with the same primer spray and added a layer of Moco De Gorila gel for “an ultimate, set it and forget it” slicked-back style. He added slight texture to the back of the do with Oribe Dry Texturizing Spray as a finishing touch.

As for the final look? Andrews loved it — and even made a reference to a favorite supermodel vet. “I was joking around and said I felt like Christie Brinkley when she was filming the pool scene in National Lampoon’s Vacation, ‘So you gonna go for it?'”

Courtesy Erin Andrews

But in between shooting, Andrews said she was keeping tabs on the fashion happening on the East Coast (and playing with puppies!). “Backstage during the show we were looking at all the Met Ball photos, and we were laughing about how this was our West Coast version of it.”

Did you catch last night’s episode of DWTS? Were you a fan of Andrews’ slicked-back look? Share below!

–Sarah Kinonen

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