March 05, 1984 12:00 PM

The plots, subplots and digressions in Robert Ludlum’s thrillers—The Gemini Contenders (1976), The Holcroft Covenant (1978), The Bourne Identity (1980)—are so thick you can’t see the trees for the trees.

[This article contains a table. Please see hardcopy of magazine or PDF.]

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