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The actress eschews sparkly party dresses for sparkly party pants and a coordinating open-back top, both sheer, both Naeem Khan and both featuring a generous helping of beading and sequins, at the Saban Community Clinic gala in Beverly Hills.
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Making a glam return to the red carpet, the star chooses a Catherine Deane halter gown with an embroidered halter top and flowing pleated bottom, plus a trendy fishtail braid at the premiere of The Hobbit: The Desolation of Smaug in Hollywood.
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This isn’t the first time she’s worn black lace Temperley London. returns to one of her go-to designers with a knee-length laser-cut number, Jimmy Choos and a bright-red Alexander McQueen clutch at the SportsAid dinner in London.
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Look familiar? is the second star (after Michelle Dockery) in one week to wear this gold-belted Stella McCartney gown, though she picks the yellow version with sheer panels for the ARIA Awards in Sydney.
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A girl who sings the kind of songs sings must have a secret Pinterest wedding board, right? Well, as soon as she gets home from the Winter Whites Gala in London and takes off this stunning Reem Acra creation, she needs to add this photo to that board.
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This gown helped land at the top of last year’s PEOPLE Best Dressed list so we can’t blame the Downton Abbey star for choosing the same black, gold-belted Stella McCartney design for the Winter Whites Gala in London.
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What does it say about fashion trends that we hear black lace and bra and think red carpet not bedroom attire? Adrienne reinforces the association with her see-though turtleneck and coordinating black skirt at the Sparkle Louder launch in N.Y.C.
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Further proving that cutouts are still a major red carpet trend, the Nashville steps out in a LBD that shows off her obliques and back (not to mention some serious cleavage).
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You already know how we feel about her gray tulle gown and now we’re going to sound off on the Fashion Police host’s gold-spiked headpieces which curve around her two French braids at the American Music Awards. Are the accessories eye-catching? Definitely. Do they go with the rest of her look? Definitely not.
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No, this isn’t quite a Fashion Faceoff with Nicole Richie. white obliques-flaunting gown is Maria Lucia Hohan, features slightly smaller cutouts (but a serious side-slit), has long sleeves and is accessorized with major Lorraine Schwartz bling at the American Music Awards.
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Cutouts aren’t going anywhere. In fact, they’re only getting bigger (figuratively and literally) as demonstrates at the American Music Awards with her sexy white gown, golden necklace and earrings that at first glance, we thought were gauges.
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Our love affair with the singer’s hair continues as she pairs her even shorter style with a sheer halter gown that leaves, oh, nothing to the imagination at the American Music Awards.
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No doubt has the body to wear just about anything, but only 18 percent of you thought she should have chosen this black Marchesa fringed dress at the American Music Awards.
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Leave it to the to make what resembles a gun holster look mildly sexy. It’s part of her sky-blue crop top and printed skirt, both by David Koma and accessorized with bright-white pumps for the Jaguar F-Type reveal in Playa Vista, Calif.
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Sporting a sexy black gown with a neckline that appears to combine a lacy bra and a reverse racerback (racerfront?) cut, joins (and mimics her friend’s smoky eye) at the London Global Gift Gala.
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We’d say Carmen’s dress has cutouts, but there are actually so many cutouts that we think it’s more accurate to say her cutouts have some dress around them. She shows quite a lot of skin in her high-slit sequin gown at the Latin Grammys in Las Vegas.
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Going for the world record of Number of Dior Dresses Worn in One Month, the Hunger Games: Catching Fire attends the L.A. premiere in a sheer gray design over a strapless bodysuit, plus a hot-pink lip.
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The odds are in Elizabeth’s favor when it comes to earning lots of love for her bold orange Versace gown with a sweetheart neckline and diagonal gold detailing on the bodice. Dramatic eye makeup and a classic blowout complete her look at the L.A. premiere of The Hunger Games.
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Bold: That word applies both to her gold beaded illusion Nicholas Oakwell gown and those dramatic filled-in eyebrows. The Hunger Games actress trots out the eye-catching look at the L.A. premiere of the movie.
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It didn’t take a crystal ball to know would wear black. But we couldn’t have predicted she’d select this sheer lace Atelier Versace design, embellished with Swarovski crystals, to the Governors Awards in L.A.
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The singer does what one does at a Victoria’s Secret show: shows some leg. She flaunts it via a navy Prabal Gurung design with cutouts at the sleeves and draping at the waist for the N.Y.C. event.
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Thousands of miles away from the Victoria’s Secret show, the strikes a pose in an obliques-baring sequin Michael Kors gown at a Tokyo celebration for the model’s Elle Japan cover.
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Ever think to yourself, a regular old catsuit isn’t enough? That might have been Nicole’s thought because she picks a black textured onesie with metallic threading with sheer paneling all the way down each side for the Sushi Samba party in London.
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If you think the front and side of the Dior Haute Couture gown (with its silky eye-catching embroidery) are dramatic, check out the open back and cape-inspired draping on the design at the Hunger Games: Catching Fire premiere in London.
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There are embellishments. And then there are embellishments so major that they look like little branches growing out of the dress. Lily goes for the latter with her sheer, double-slit Julien Macdonald gown at the Glamour Women of the Year awards in N.Y.C.
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shows her love for the sheer embroidered Dolce & Gabbana design (worn to the LACMA Art + Film Gala in L.A.) by posting a few pics of the dramatic gown on her Instagram.
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We don’t have enough space to describe the intricate neckline on the actress’s pleated, summery two-tone halter. So let’s just leave it at “sexy,” shall we? She adds crisscross strap-adorned heels for the Women in Television event in West Hollywood.
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We’re used to seeing in messy side braids, but not paired with looks as glam as this tulle Monique Lhuillier gown featuring quite the bejeweled bustline. She selects the mermaid silhouette for the premiere of Gimme Shelter in N.Y.C.
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As you can probably guess, she’s not at Sundance. Jamie attends the Television Critics Association tour in balmy Pasadena, Calif., wearing a spring-ready floral pencil skirt and sky-blue crop top.
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Who can get away with wearing a netted dress with a seriously revealing décolletage and a slit so high that it’s almost a wardrobe malfunction? A supermodel, that’s who. Karolina stuns in the high-shine gown, plus coordinating snakeskin pumps and yes, a watch, at the IWC Inside the Wave gala in Geneva, Switzerland.
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The actress continues to mix textures, picking a pale-blue-and-white Christian Dior midi with a gathered silk top (that reveals just a hint of skin) for the Producers Guild of America Awards in Beverly Hills.
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“I feel very Jessica Rabbit,” said of her cleavage-baring silver Donna Karan Atelier gown. And as if all those sequins weren’t enough sparkle, she adds one of the most over-the-top emerald-and-diamond necklaces we’ve ever seen.
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Some dresses cause debates among style editors as to whether or not they deserve to be included in the best dressed list. This is not one of those dresses. We were all in agreement that deep-blue Antonio Berardi dress with its unique neckline, cutout shoulder and metallic belt deserved a spot here.
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If you thought there was going to be only one ultra-polarizing embellished pink look tonight (ahem, Kerry Washington), you were wrong! picks a candy-colored Givenchy creation with sequin-paneled draping on the front, more sparkles on the halter and an open back.
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“I don’t have anything to hide anymore, so I’m having a little fun tonight,” the shared of her decision to wear, yes, a crop top while pregnant. Who knows? Maybe her hot-pink beaded top (which also bares her black bra) and pleated navy skirt, both Prada, will help redefine what maternity wear can be.
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So. Much. Fabric. The Modern Family actress selects a custom pale-pink Pamella Roland gown, with gathering below the bustline, a single kick plait at the back and a high-low hemline that shows off her beaded heels.
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PORTIA DE ROSSI
A sheer Swiss dot panel at the back (open down the middle) and a leather waistband take the actress’s cap-sleeve black gown from basic to totally worthy of a second look.
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We’re just relieved to see her hair in a side-parted updo (as opposed to the blown-back style she so loves). Along with the do, sports a green Nina Ricci gown, simple save for the ruffles and touch of lace at the neckline and back, at the Critics’ Choice Awards.
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Long, black and lace. The would’ve fit right in on the Golden Globes red carpet in the sheer Emilio Pucci design she wears to the InStyle party. Her only accessory: a single braid accent in her wavy hair.
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When you arrive at the Critics’ Choice Awards in Santa Monica, Calif., wearing a dress as sexy as Camila’s, it’s wise to keep your hair sleek and simple. She goes for a basic center-parted bun, but adds a twist to by letting the ends hang loose.
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A turtleneck has never been so sexy. (Well, maybe it has once before.) shows off her legs in a web-printed Tom Ford mini and white heels at the American Idol premiere in L.A.
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Is it textured on top? Then I’ll wear it. That’s what we imagine Allison saying to her stylist this week. She wears a body-skimming black gown with a colorful, floral-embellished halter and a coordinating red lip to the Girls premiere in London.
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If you were disappointed that strayed from her signature bombshell silhouette at the Golden Globes, you’ll be relieved to see her in this embellished, cleavage-baring Zuhair Murad number at the afterparty.
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We weren’t totally won over when we saw this ensemble from the front, but as soon as turned around to show off the completely open back of her short-sleeved Dior dress and surprise skinnies, we bowed down to her style.
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She may be at the Globes to present, but looks like she could pass for an award statue herself in a shimmery allover-beaded Tom Ford halter with subtle sheer cutouts on the bodice. And check out how the gold chainlink on the neckline of the dress – that turns into a crisscross in the back! – coordinates with her snakeskin clutch.
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We don’t know if this is better from the back (that’s your decision to make), but strapless black-and-pink Carolina Herrera gown with that voluminous rear bustle is certainly bigger from the back.
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How do you get yourself trending on Twitter? Wear a gown like this. The nominee has everyone buzzing thanks to a two-tone red halter with a dramatic train and a plunging neckline her American Hustle character would surely approve of. (That braided updo and crystal pendant only add to the buzzworthiness of the look.)
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Our reaction to teal Calvin Klein Collection gown was similar to this duckling, but at least from the back, there was a slightly more interesting Y-shaped strap.
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Jumping on the open-back halter bandwagon (hey, we’d get on, too), picks a gray Gucci Première design with a gunmetal-hued bodice embellished with beads, sequins and floral accoutrements at the neckline.
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Someone got the lace memo. has a dramatic moment in a high-neck sheer dress that looks even better going than coming thanks to the open back.
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While we recover from the embellishment overdose we’re suffering from after seeing black-and-pale-pink Prabal Gurung creation, vote on which angle the sheer-paneled number looks best from.
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She may not have won a Globe for her role in Breaking Bad, but Anna has no trouble stealing the spotlight in this pink-champagne Donna Karan Atelier gown, which features an architectural strapless neckline in the front and a deconstructed bow and major train in the back.
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The Globe winner said she “feels 30” and after seeing her in this skin-baring metallic Reem Acra halter that dips so low in the back that it almost meets with the high center slit, we can’t really argue with her.
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Symmetry is overrated, and Amber knows it. She stuns in a navy-blue Atelier Versace gown with a sash-like neckline that crosses over her back, a crazy-high slit up her left leg and draping at her hip.
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She must be exhausted. Because this Emilio Pucci gown with its gold-and-platinum beaded and crystal-embroidered sleeves, sides and back looks like it weighs a ton. (Though at least the cutouts at the neckline and rear relieve her of some weight.)
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The normally conservative Girls star goes a little bold (just a little – baby steps!) at the People’s Choice Awards in a navy halter gown with netted sheer panels at her midriff and a slightly edgy ponytail. Marnie would be so proud!
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It may be 6º where you are, but wherever is, it’s the middle of a sizzling summer – at least if her second-skin bandage dress, white pumps and bronzed skin (spotted at the People’s Choice Awards) are any indication.
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Ever seen a “knothawk”? Now you have. The Vampire Diaries actress debuts the edgy hairstyle, made up of an intricate maze of 100 twisted knots, at the People’s Choice Awards in L.A. (Get the scoop from her hairstylist for tips on how to recreate the look!)
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The Gravity takes an early lead in the People’s Choice Awards’s “shiniest hair” competition. Oh yeah, and she wears a fun floral dress and coordinating moss-green pumps too. But we’re mostly here for the hair.
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The Pretty Little Liars star may have gone country, but that doesn’t mean you’ll catch her in cowboy boots on the red carpet. She gets gussied up at the People’s Choice Awards in a photo-negative floral-print sheath and simple accessories.
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Most stars are content with a sleek ponytail on the red carpet, but not , who ups her hair game with spiraled strands and a braid around the base at the People’s Choice Awards in L.A.
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She’s up for a People’s Choice Award, but we’d like to give honors for best work in a supporting role to Malin’s double-stick tape, which worked overtime for her black-and-white scribble-print Cushnie et Ochs dress.
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Not one, but two types of polka dots make up the Juan Carlos Obando halter, worn with a sleek, center-parted do to the International Palm Springs Film Festival Gala.
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Marnie may be flailing, but Allison clearly has it together, wearing a prim pale-blue dress with purple floral detailing at the neckline to the Girls premiere in N.Y.C.
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She’s winning the Fashion Faceoff in this plunging metallic Hugo Boss design. But now it’s time to vote on which of her poses is your favorite at the amfAR Inspiration Gala in Hollywood.
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and her favorite plus-one (her midriff) flaunt their stuff in a Calvin Klein Collection crop top with a tie that wraps at the waist and a coordinating black maxi at the KIIS FM Jingle Ball in L.A.
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The singer has no trouble stealing the spotlight in a crystal-studded leather bustier gown with a high-slit skirt. She elongates her legs even more with heels that look like they could double as weapons, selected for the season finale of The X Factor in L.A.
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We’re getting really excited to see this actress during awards season after spotting her in a one-shoudler draped Armani Privé gown with a contrasting sequin panel at the waist for the Wolf of Wall Street premiere in N.Y.C.
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We’re seen her in plenty of crown plaits, but this is the first we’ve spotted Bella sporting a half-up do with basket-weave braids at the back.
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The cut may be conservative (no skin here!), but gown feels downright sexy thanks to the snakeskin-inspired print with a bit of sheen and her playful pony, worn to the American Country Awards in Las Vegas.
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The singer makes a bright entrance in an eye-catching pink gown with an asymmetrical bodice and a train, plus a tiny gold handbag, at the American Country Awards in Vegas.
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More lace, more sheer sleeves. Evangeline knows her trends. She selects a dramatic full-coverage Alberta Ferretti gown with a tiered skirt for the Berlin premiere of The Hobbit: Desolation of Smaug.
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So excited is about the lace trend that she wears the sexy material via horizontal stripes on her black halter gown, accessorized with, yep, that’s a headband, at the N.Y.C. screening of American Hustle.