Gifts New Moms Actually Want (for Mother's Day and Beyond)
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Deep-red velvet. Sheer silk panels. Hand-beaded embroidery. Turtleneck. That’s how we’d describe Zuhair Murad gown if we were giving the facts. Yoswa is how we’d describe what she wears to the Human Rights Campaign National Dinner in D.C. if we were giving our opinion.
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Check and checkmate. Do you think the Girls actress, who goes for a checkerboard-patterned halter gown at the Exploring the Arts Gala in N.Y.C., is winning in this look?
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CHLOË GRACE MORETZ
There are so many things happening with the star’s do at the Carrie premiere in Hollywood. She’s working what looks like a side braid that’s been totally deconstructed, plus some smaller, tighter plaits that weave from one side of her head to the other.
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Calling all brides-to-be: You might want to bring this photo of Christine’s pretty, loose updo (worn to the premiere of The Secret Life of Walter Mitty to your next hair trial.
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We know the actress is under there somewhere. Kristen wears a Marchesa confection comprised of a sheer lacy crop top and a polka-dot tulle skirt for an N.Y.C. screening of The Secret Life of Walter Mitty. (But really, we’d say the look is wearing her.)
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If our hair was as long and shiny as the Girls star’s mane, we’d wear it down all the time. But Allison pulls it back into a sleek, braided chignon at the Exploring the Arts Gala in N.Y.C.
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The outfit (at the London premiere of The Counselor) may be all business, but her hair, worn in a loose low pony with face-framing pieces of hair, looks effortlessly chic.
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Bored with the ballerina bun? So is Hailee, who spices up the traditional updo with a wraparound braid at a Berlin photocall for Ender’s Game.
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Is it still called a crop top if it provides less coverage than some bras we’ve seen? Emma shows what she’s working with in a plunging white Cushnie et Ochs design at the Hollywood premiere of American Horror Story: Coven.
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At the Power of Women event in Beverly Hills, shows the power of an LWD in her draped Stella McCartney mini with its unique neckline (perhaps the first ever to combine a turtleneck and a cutout).
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How many long-sleeve mermaid gowns can one person own?! That’s what we think every time we see hit the carpet, this time choosing a black-and-nude Romona Keveza design and loose side braid for her hosting gig at the NCLR ALMA Awards.
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“Nothing too traditional” is how she described her future wedding gown, and we’d say that also describes red carpet look here. She combines a sparkly mini with a sheer overlay at the L.A. premiere of Machete Kills.
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Wait, didn’t she just have a baby? The wows in a curve-hugging Temperley London gown with a gold lace overlay at a screening of The Counselor in London.
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At first glance, it might appear wearing nothing but lipstick, but we have confirmation that she’s in a nude lace dress with matching pumps at a gala in her honor during the New York Film Festival.
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Our first thought: Did Kate accidentally tuck the tablecloth into her underwear? But after a closer look, we realize it’s just an asymmetrical lace overlay on her figure-flaunting dress, worn to the Mademoiselle C premiere in Paris.
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The hair résumé already includes a lot of cool updos. And she adds to the list of swept-back styles with this maze of pinned waves at the Gravity premiere in N.Y.C.
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We’re confused because this appears to be , but we don’t see a stitch of sheer material. She has a vintage glam moment in a midnight-blue V-neck gown, topped off with a Jacob & Co. diamond tassel pendant for the FFANY Shoes on Sale event in N.Y.C.
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Between the plunging neckline, thigh-high slit and dramatic open back, we can’t help but wonder what kind of undergarments the actress’s red Lorena Sarbu gown (worn to the NCLR ALMA Awards) allows (if any at all!).
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You already know how we feel about the topknot/French braid hybrid, worn to Escada and W Magazine’s Celebrate Cool Earth benefit in Beverly Hills. Now it’s time for you to weigh in on which vantage point is your fave.
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Either Carla has a bumpit under there, or her hairstylist went home with a bad case of carpal tunnel from all that teasing. The actress selects a high-volume French twist for Broadway’s opening night of The Glass Menagerie in N.Y.C.
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THe Devious Maids star pulls her hair into a low side-swept bun at the NCLR ALMA AWARDs. (But seriously, who can look away from those amazing lashes!).
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Jumping on the green gown bandwagon, the actress selects a sequin-embellished Naeem Khan mermaid creation, complete with a tulle petal hemline for the Metropolitan Opera season opening event in N.Y.C.
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Yes, her undergarments are hidden this time, but continues her love affair with sheer fabric in a black jumpsuit featuring see-through sleeves. She adds a merlot pout and messy topknot to her look at W Magazine’s Celebrate Cool Earth benefit in Beverly Hills.
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Before you write this off as a basic black dress, check out every angle of Pamella Roland look, which she wears to the PADRAS Contra El Cancer Annual Gala. She amps up the sex appeal with a deep-V neckline and sheer paneling to show off her back, then throws in a peplum for good measure.
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The Romeo & Juliet star opts an edgy, straight-off-the-runway white Prabal Gurung design featuring a mix of graphic embroidered panels throughout for the film’s Hollywood premiere.
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The actress shows her high-fashion skills are sharper than ever in a head-turning Prabal Gurung design featuring a red waistband, full skirt, high-low hemline and pockets! She completes the look with a sleek updo at the Metropolitan Opera season opening in N.Y.C.
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The chic updo (worn to the PADRES Contra El Cancer Annual Gala) combines a mini pompadour with a cluster of twists that eventually make their way into a low bun.
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SARAH JESSICA PARKER
Regular stars wear dresses created by one designer. gets to wear a gown designed by two. Her satin ball gown (seen at the New York City Ballet Opening Gala) is a collaboration between Prabal Gurung (the pale-pink bustier top) and Olivier Theyskens (the coordinating full skirt). Lucky.
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The combines two skin-baring trends: a cutout and sheer paneling on her J. Mendel dress featuring a geometric cutout bodice. She tops the look with glittery Christian Louboutin pumps and a snakeskin Daniel Swarovski clutch at the opening night of Romeo and Juliet in N.Y.C.
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When going to the Icons of Style Gala in N.Y.C., it’s important to look, well, stylish and iconic. And definitely does her best in a black gown with a shredded skirt and a sexy halter neckline.
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Cummberbunds: Not just for dudes anymore. The uses one to show off her supermodel waist in a lace-embellished Roland Mouret gown, which she accessorizes with an on-trend hairline braid at the Creative Arts Emmy Awards in L.A.
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The lady loves her dramatic gowns. selects a head-turning Givenchy couture gown (featuring bronze embroidery and a cape – because why not?) for the Blue Jasmine premiere in London.
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This week in “The Guide to Sexy Dressing by ,” the supermodel shows off her body in a cutout dress with an asymmetrical neckline then completes the look with a Lorraine Schwartz black-and-white diamond cuff for the America’s Got Talent pre-show event in N.Y.C.
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If a statue was given out for “The Most Over-the-Top Ruffles” at the Creative Arts Emmy Awards in L.A., Malin would nab herself one thanks to this strapless black design, which features a whole lotta fabric from the waist down to the hemline.
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We’ve seen a bunch of braided styles on the red carpet, but trifecta of plaits intertwined in low bun – worn to the Estee Lauder Modern Muse event in N.Y.C. – is one of the most unique yet.
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The 52-year-old actress proves she’s not afraid to wear a sheer bodice, choosing a glam Jason Wu gown with a leaf motif on top and tons of sparkle below for the N.Y.C. Don Jon premiere.
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Just when you thought you’d seen every possible way to wear cutouts, the supermodel steps out in this Stella McCartney jumpsuit with slashes across the bodice at an Elle event celebrating London Fashion Week.
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The pairs her Roland Mouret gown with one of the season’s most popular braids – a side hairline version – at the Creative Arts Emmy Awards in L.A.
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Her dress at the Creative Arts Emmy Awards in L.A. has a lot going on, but the actress’s hairstyle is fairly simple: two side twists joined together in a low bun at the nape of her neck.
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There’s no shame in Emmy’s gold dress game. The actress commands attention in a metallic midi featuring a black panel at the back, accessorizing the design with shiny golden jewelry at the DKNY 25th birthday party in N.Y.C.
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Good luck concentrating on anything else for the rest of the day. You’ll be too busy staring, slack-jawed, at this photo of the looking like a complete knockout in a sequin Jenny Packham gown at the Tusk Conservation Awards in London.
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The gives black a break and selects a textured mint Roland Mouret dress. It may look sweet from the front, but her look for the Don Jon premiere in N.Y.C. has sexy cutout detailing at the back, plus she adds those hot strappy Roger Vivier sandals.
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Short. Leather. Backless. The electric-blue mini (worn to the Junk Food fashion show after party in N.Y.C.) covers all the jaw-dropping bases.
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At first glance, the side-parted updo (worn to the Toronto premiere of Don Jon) looks quite simple. But when you check it out from the side and back, you can see the front is sectioned off from the rest of her hair to create that cool swoop effect. And yes, that’s a net to keep the chignon in place.
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On her hit show The Newsroom, Olivia is all business in power suits. But off set, she totally knows how to show it off, selecting a black gown with a dramatic open back and side slit. She accessorizes the jaw-dropping design with a metallic clutch, oversize cuff and spiked hoops at the Sunglass Hut new store opening in N.Y.C.
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No sudden movements, Naomi! The supermodel must have used an entire role (or two) of double-stick tape to secure her strappy, 50 Shades-esque gown for the Novak Djokovic Foundation dinner in N.Y.C.
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The joins the cutout club (and the slightly less popular mock turtleneck club) in this sexy-yet-sophisticated Calvin Klein Collection design, accessorized with metallic sandals for the One Chance premiere in Toronto.
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We always thought red was the color, but this aqua Atelier Versace design makes her fiery hair and porcelain skin stand out even more at the Toronto premiere of The Disappearance Of Eleanor Rigby.
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Hollywood’s Rapunzel goes for yet another braid. This time it’s a side plait that starts at her part and ends in an undone over-the-shoulder fishtail at the Gravity premiere in Toronto.
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We wonder how many dresses with unique necklines the actress has in her closet. She selects a black Roland Mouret number (featuring a gold zipper down the back) that shows off her killer bod at party for her new film Rush in Toronto.
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The Shameless star puts many of the other dresses she’s worn to shame in this emerald lace Monique Lhuillier confection with sheer detailing, worn to the designer’s fashion show in N.Y.C.
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We want to bring a photo of the piecey fringe to our hairstylist, since she totally has us contemplating bangs. She pulls back the rest of her hair into a maze of curls at the Dallas Buyers Club premiere in Toronto.
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Forget what the models are wearing at the BCBGMAXAZRIA show. We’re most interested in nabbing the Celeb Style Council member’s embellished jacket, leather bustier and navy pencil skirt (all by the fashion label). We’ll take her abs too.
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Jaw, meet keyboard. issues a not-so-subtle reminder that she has the best cleavage in the business with this off-the-shoulder Versace gown and dazzling Bulgari statement necklace at the Under the Skin premiere in Venice.
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We’re as confused as you are so let’s break it down, piece by piece: is wearing a structured cream topper consisting of a bandeau and a voluminous cape-like contraption, baggy high-waisted trousers (both Balenciaga) and sparkly peep-toe heels at the GQ Men of the Year Awards in London.
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After Olivia made a splash for not wearing a bra, the singer does it by wearing just a bra on top, plus a mermaid skirt (both Persy Yaniv), to the GQ Men of the Year Awards in London.
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The singer is in full plume in her feather-embellished Julien Macdonald mini, featuring a sheer panel at the back. She finishes the Black Swan-meets-Björk mini with silver strappy pumps and a box clutch at the GQ Men of the Year Awards in London.
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The eye makeup is like nothing we’ve ever seen and her “concealer lips” are quite polarizing. But for now, we need you to vote on the singer’s bold beaded Etro gown (worn to the GQ Men of the Year Awards in London) featuring sexy cutouts at the waist and a bold black-and-yellow skeleton-esque pattern.
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You were probably too distracted by crazy crop top to notice the pretty French plait creation wrapped around her head at the GQ Men of the Year Awards in London.
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“I want to look like a princess. A sexy princess.” That’s what we imagine telling her stylist before stepping out in this plunging midnight-blue Elie Saab gown with allover sequins, selected for the Venice premiere of Night Moves.
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The actress goes glam in a black Nina Ricci halter gown(featuring a lace neckline and fishtail bottom at the premiere of Tracks in Venice.
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The flaunts her toned stems (and her obliques and her cleavage) in a black mini with cutout detailing at the waist and a plunging neckline, plus cage sandals, at the Rush premiere in London.
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Jumpsuits are a dime a dozen these days, but Elsa manages to be memorable in her sheer black Elie Saab onesie (maybe it has something to do with the fact that the sleeves look like wings) at the premiere of Rush in London.
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The actress goes for a mass of messy-on-purpose, pinned-up plaits in the back and volume at the crown for the premiere of Tracks in Venice.
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No, that’s not a typo. It’s really and her shocking new hair. The star pairs the blunt blonde look with an Alexander McQueen patterned mini and red booties for an appearance on The Late Show With David Letterman in N.Y.C.
Gifts New Moms Actually Want (for Mother's Day and Beyond)
Gifts New Moms Actually Want (for Mother's Day and Beyond)